
cuepop INSPIRATION
Real pages for different kinds of creative work — every one of them live, at its own address. Start with your craft, then choose what people should see and do.
23 REAL PAGES
Filter by craft. Every one of these is a live cuepop page at its own address — the hierarchy, the blocks and the next action change, not only the photo and the colour.
Wide frames on a pale page, and where he can legally fly sits second — that is the question that ends the conversation, and it was eighteenth on every other photographer's page.
The work is first and the rates are second, because a brand deciding whether to brief you looks before it reads.
The photograph is the whole first screen and the work is right under it — a couple decides on a frame long before it reads a price.
The other kind of film-maker: the film plays first, then three weddings and what a day costs. Links are titles, because a thumbnail beside one is a second and worse frame.
A cinematic frame full bleed, then the reel PLAYING under it. A showreel that needs a click is a showreel nobody watched.
One frame full width on a room that stays out of its way — a colourist is hired on whether the image looks like the reference, and nothing else on the page argues that.
Turnaround and rate sit above the work, because the question an editor is hired on is whether you can do it by Friday.
The loop plays, then the price list. Motion is the one craft where a still frame sells nothing.
The loudest page here, on purpose — this craft is judged at 320 pixels by whether a thumb stops, so a tasteful page would be an argument against the person making it.
NOT A SKIN SWAP
A photographer opens with frames. A coach opens with proof. A UGC creator opens with recent brand work.
Book a shoot. Watch a reel. Buy a guide. Check availability. Open a media kit.
A block with nothing in it hides itself. The page follows today’s goal instead of filling space.